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ginlindzey

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May. 22nd, 2016

So, next year will mean changes for me one way or another.  My high school is going on block scheduling and I'm hoping to have the Latin 1s back... or... I'm hoping to be teaching exploratory Latin full time to 5th graders in a totally different school district.  Either way, I want to start moving into doing more Comprehensible Input. It's a tricky thing if I stay because I feel like it will also mean dismantling all I have built for the last 10 years--16 years if you count the 6 years I taught middle school Latin.  That was when I began my adventures with the Cambridge Latin Course, began building quia.com materials of detail and quality, and began developing my reading methodology. And if I begin using Comprehensible Input more than the textbook at my high school, it may mean going it alone... I'm not sure my colleague has any interest in it.

And maybe that will be a moot point because maybe I will get this other job teaching exploratory Latin.  And either way, I can continue to study everything I can about Comprehensible Input so that I will be ready.

So I've been listening to the Tea with BVP podcast http://www.teawithbvp.com/.  I only discovered it a couple of episodes before the end of the season, so now I'm starting over. This morning I listened to episodes 1 and 2.  At some point, I believe in episode 1, there was a question about whether to teach pronunciation. The basic answer was no because your students should be able to pick it up by hearing you speak or other native speakers, etc, in a natural way.

I, however, have always said that I can't just ask Cicero how to pronounce a word I have never come across before because he's dead. No one local to me seems interested in speaking Latin conversationally. (I have had to go off to SALVI events like Rusticatio to have quality exposure to spoken Latin in a large quantity--that is 24/7.) The authentic communication I have is in reading what the dead wrote in great measure. We do know how golden age Latin was pronounced (see Vox Latina), so that is not at issue. I have always felt it important to teach pronunciation, syllabification, and accentuation in Latin (but only to count it as extra credit on quizzes--not for a real grade) because students will at some point need to be able to read and hear words (at least in their heads) that no one has pronounced for them before. Perhaps I'm influenced by my phonetics education as a child. Perhaps this is just my own neurotic need that I shouldn't force on others. (Here is a pronunciation guide I created to go with the Cambridge Latin Course.)

In teaching high school, one of my goals with expressly teaching the dividing and accenting of words is so that when we hit poetry meter will be easy and not challenging. Another goal is simply that they can decide how to say a word without my having to say it for them.  And yet...  Have I been wasting a lot of time?

It's not that there aren't other ways in which my students are picking up good pronunciation.  First and foremost, I read everything aloud to them.  With gusto! With dramatics! Students read with me in unison as well.  We also have recitation passages--short snippets from an important story in the chapter/stage which we then use to practice pronunciation. (These are also used to target new grammar in the chapter/stage.) Later each student recites/reads this passage for a pronunciation grade. I would say 98% of students do this really well.

We also have "jobs" at the beginning of class that include reading the agenda which is mostly written in Latin, reading the date (which includes yesterday, today, and tomorrow), as well as being the daily weather person.



(I can't recall why it was foggy and dirty at the time I took this picture, but I believe there was either dust or ash from a fire in the air at that time for some reason that was making the fog weird in the mornings. And yes, it probably should have read decimo sexto for the date and not sedecimo!)

I don't correct too often when students are doing jobs; many self correct or just improve as the year goes on. Many are conscientious of macrons and the role they play in pronunciation, a few admittedly lack interest and are just getting through their job for the day. Most, however, really like doing the jobs. At an awards banquet the other night I overheard one student, when asked to say something in Latin, rattle off, "salvete omnes! vaticinatrix hodierna sum. mihi nomen est Octavia. sol lucet!"

I think... I think if I teach pronunciation in the future maybe I'll just let the students discuss and figure out from previous input and exposure what the difference is between short and long for each vowel, and maybe even accentuation rules. And syllabification is really only necessary for teaching poetry in all honesty, right? And even then, only if you have to expressly teach meter because of AP or IB.  The truth of the matter is that my expressly teaching the rules for pronunciation, syllabification, & accentuation aren't the real reasons why my students have good pronunciation and aren't afraid of reading Latin aloud.  They can do that because we read aloud all the time, because I make my class a place where Latin is heard. They get extra credit points on dividing and accenting words on stage quizzes because I expressly taught the rules.  Big whoop.

I'm not going to give up my personal obsession for macrons on all materials because I want to learn how to say a word the right way from my first encounter with it if possible. Can I read Latin well without macrons? Yes of course. I like picking up my copy of Harrius Potter and rattling on at a natural speed as if I'm reading English and not Latin. There are no macrons; there are often a lot of new vocabulary for words Caesar never new (he never had an automobile after all) and I can guess from experience what is the most likely pronunciation--but I can only do that because I put the demand on myself for careful pronunciation with macrons at all other times.

Perhaps that seems a bit much--but as I said before, Cicero is not here.  I can't just say to someone in the next room, "hey, how do you pronounce nihilominus?" So for Latin, especially when you get to a point when you are in total control of your input (which is often just print material), pronunciation is important. Understanding how it works is important. But maybe as a teacher--especially as a teacher of beginning students--it really isn't a critical topic.  Surely I can use that time better than spending the better part of a class going through my pronunciation sheet (see above)?!

Just another thing to consider when planning for next year.

So I was listening to Tea with BVP, episode 2 I think, and a teacher was saying how she was having great success with a pure Comprehensible Input classroom with students she saw everyday but with the young children she only saw once a week it wasn't working. She felt like she had to do too much reteaching in order to be able to move forward.

Now, I haven't shifted to a Comprehensible Input classroom myself. I am still learning.  I do give a fair number of instructions in Latin, we read aloud a lot in Latin, and other activities.  Admittedly I am still pretty tied to my textbook, the Cambridge Latin Course, but I do try to work in a number of oral/aural activities. One that I like is "musical pairs." You need something students can read in pairs--like a dialogue between two people--and music.  You play the music while students mill about.  When the music stops they have to pair up and read the Latin dialogue. If they get to the end before others do, they start over.  When the music starts again, students stop reading and mill about again.  Repeat a few times.

I have used this with embedded (simplified) readings of dialogues coming up in the day's story to preview it. I make sure the Latin is simple enough with only a couple of glossed words at most. My best students (admittedly, this year's 1st period class) would become quite dramatic at reading these and even my lowest functioning class would get something out of this activity.

Doing these reminded me of a box stuffed in my storage cabinet from when I taught middle school students a decade ago.  The box contains class sets of little mini-dialogues. One was on introducing yourself, another on asking to go to the bathroom, another on answering questions starting with ubi or quis. I was looking at these last week, and thinking that they would be good to use as a mini-warm-up.  And in thinking about this teacher's question on BVP, it might have been a good solution for reviewing from the previous week before jumping into something new.

No question that if you only teach once a week you will HAVE to spiral and review.  And you will have to develop a VARIETY of ways to do this.  I'm not saying I would use these little dialogues for every class.  There would have to be other little things. Or other motivational tasks with a purpose for reviewing something learned for that one day, like "How many people can you introduce yourself to in Latin between now and next week?"  It could be a competition for a prize. Then, the next week, meet students at the door and they cannot enter until going through greetings. In that moment, before even seeing whether students took part in the little competition or not, you will be able to tell how much reviewing you will need to do. But don't make it blatant reviewing.

If numbers are learned, then find things to count. Do surveys the following class of how many people have dogs for pets or cats.  Each time everyone is counting the hands raised (thus reviewing from the previous class lesson on numbers), but maybe you are also adding, "Aemilia canem habet. tu canem habes? ego canem non habeo. ego felem habeo. feli nomen est Julia." That is, you might begin working in 1st, 2nd, 3rd person with a useful verb (without all the grammatical nonsense) plus a direct object/accusative.  Then add to that a little review on "mihi nomen est___" with a bit of a twist by providing the dative for dog or cat. (Remember, shelter vocabulary, not grammar!) Maybe by the 4th week you can tell a story TPRS style. A little one. But maybe a full story will be a few more weeks away.  Are you teaching something that interests the students, keeping it personal? (Yes, their pets, their names, how many.) Maybe it won't be story time until Halloween--and what a treat it could be by that time!

So, I guess what I would have liked to have heard on Tea with BVP would have been something more along the lines of learning how to spiral and how to tie in more closely whatever was learned in the previous lessons. It might seem like you would cover less material over time but in all likelihood it will be of a much better quality and better retained the more you spiral--and most importantly, students will have more joy in the class and stay excited about language learning.


I had a ballroom dance instructor, Richard, who reassured students in the class (all older adults) that we would likely retain only 10% of what he had taught that night over the length of the week, but that it was ok because he would thoroughly review before moving on. Which was true--and he was the best ballroom dance instructor I had. Sadly, he no longer teaches and the other instructors are just not equal to the task at all. The key is that Richard KNEW most people would forget and he taught NOT to the exceptionally talented individuals who would go home and practice but the whole class. He knew the importance of spiraling and building a solid foundation. He believed there was great joy in social dancing (as opposed to ballroom competitions) and that he could teach anyone how to lead and follow and enjoy the music. Other instructors which we have had since have expressed frustration at the amount people would forget... and yet even with their trying to push us farther, they taught us less. (They are not true teachers.)

So I guess the real question is, how realistic are your goals for what you want to accomplish with young children?  We should always be focused on not how much we "cover" but how much they can retain, not to mention how and why they do retain it.

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